In the past 10 years, they've become a bona fide festival band, playing Lollapalooza, Reading, Coachella, and more. Paired with her lyrics, which are a far cry from the politically charged darkness of (III), and Amnesty (I)'s penchant for ethereal, downtempo beats, the record feels like the most accessible, subdued version of Crystal Castles yet.Ĭrystal Castles aren't some basement project from the late ’00s anymore. Elsewhere, on “Sadist,” she sings quietly, “You'll be fine, you'll be fine, life without conscience, the disdain is just consequence.” There's a different, softer energy to Frances's performance as the lead vocalist in Crystal Castles, and even against Kath's flares of intense production, her voice stays pretty. “I love your, I love your ambiguity,” Frances sings in monotone on “Fleece,” before her voice rises again in the background, shouting obscurely under Kath's fuzzy noise. Her vocals are surprisingly normal within the winding, cursed halls of Crystal Castles. But for a great portion of Amnesty (I), Frances sounds sweet where Glass was often intimidatingly intense. The album jumps from wall-of-noise bangers like the bass-dropping, industrial “Enth” and “Concrete” to easygoing electro-pop sounds like the glitchy trap production of “Ornament” and the gothic music-box synth melody of “Char.” At times, Frances can sound like she's trying to imitate Glass's vocals listen to the frayed, high-pitched shrieks on “Enth” or the earsplitting wails on “Concrete” and you might be momentarily tricked. Throughout the record, though, they build from right where (III) left off, with Kath doing little to reinvent the band's sound. The title seems meant in part to signal a new beginning after the trilogy of 2008's Crystal Castles, 2010's Crystal Castles II, and 2012's (III). Its corpse has lately been reanimated with a new lead singer, the 21-year-old Edith Frances, and their new album, Amnesty (I), is a stab at proving that the project can thrive without Glass.
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“For a multitude of reasons both professional and personal I no longer feel that this is possible within CC.” Kath shot back, “It should be rewarding for her considering she didn't appear on Crystal Castles' best known songs,” before retracting his statement and wishing Glass the best.īut Crystal Castles isn't dead. “My art and my self-expression in any form has always been an attempt towards sincerity, honesty, and empathy for others,” she wrote in a 2014 Facebook post that also identified the end of the band. But two years ago, Glass - the band's enigmatic singer and songwriter - abruptly left.
For nearly a decade, Ethan Kath and Alice Glass were Crystal Castles, the Canadian duo whose spooky electronic music haunted blog and witch houses alike.
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